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Posted by / 26-Mar-2020 23:06

Reporter sharon crowley dating

Whether you knock AM radio today for its relentless static or its lack of music, this is where it all began.The early 20th century brought the first radio stations to the Dallas-Fort Worth area: KFJZ (with roots dating back to 1917,) WRR (in 1920,) WPA, WBAP and WFAA (all in 1922,) and the rest is history (well, almost!Kahn Communications is working on improvements to their original AM Stereo concept. Format: Southern Gospel (1986-90,) Black Christian Gospel (1990-5/18/1998,) Spanish/Ethnic/Spanish Religious (5/18/1998-2004; as "La Poderosa," 2004-present.) Calls stand for exas.Ibiquity, another player who is developing solutions to the substandard sound, is currently marketing a digital broadcasting system for AM stations (known as IBOC/HD.) HD receivers are already being sold, despite limited station participation. Owner: Multicultural Broadcasting ("MRBI," 2004-present; Multicultural bought out all Radio Unica stations after Unica went bankrupt in 2003.) Former owners: Way Broadcasting (bought 4/19/2000,) Freedom Network, Radio Unica.This would allow new investors to start new stations from scratch (as the pool of available frequencies was quickly drying up) and would permit existing restricted-signal stations to move into an uncrowded part of the band and beef up their coverage area.Automakers and consumer electronics manufacturers began adding the extended band to their units in the early 1990s, and existing stations were permitted to simulcast on their new frequencies beginning in the mid-1990s.Other local stations modified their formats to concentrate on news, country, rhythm and blues, or Spanish.While KLIF posted incredible ratings during the 1950s and 1960s, others like KRLD and WBAP found successful programming niches that catered to older audiences.

And to honor the art of "DX-ing" (distance listening,) Wednesdays after 3PM were declared "Silent Night" in the '20s...low-powered stations turned off their transmitters so that high-powered stations across the US could be easily received on anyone's dial.

Gordon Mc Lendon didn't let that happen: In 1947, he signed on KLIF, featuring a music format.

Other stations soon followed, and local radio found its second life.

AM radio in Dallas-Fort Worth, as with the rest of the nation, was mostly entertainment and news programming in its infancy; however, its value and importance was secured during World War II as the center of information for a concerned public.

With the introduction of television to the masses in the late 1940s, radio's demise was assumed to be imminent.

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Motorola's C-Quam system was finally chosen by the FCC as the standard in 1993, but, by that time, the luster had worn off.